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  • The Importance of Being Ernest: Obtaining Copyright Registrations for 20th Century U.S. and Non-U.S. Photo Collections, Syllabus, International Bar Association 2013 Annual Conference;
  • Copyrights in Attorney Work Product- Panacea or Pandora’s Box? New Matter, Vol. 31. No. 4, 2006
  • Sampling, A Music Business Primer, Prentice Hall, 2003.
  • Analysis of an Exclusive Gallery and Publishing Agreement, Art and Museum Law, Carolina Academic Press, 2002.
  • Rights of Publicity, California State Bar Intellectual Property Institute, syllabus, November 2002.
  • Provisions For Trademark Agreements, California State Bar Intellectual Property Institute, syllabus, November 2002.
  • Provisions For Copyright Agreements, California State Bar Intellectual Property Institute, syllabus, November 2002.
  • David vs. Goliath: Using Novel, Low Cost “Guerilla Tactics” to Help Artists With Limited Resources Win Copyright Contract and Collection Disputes Against Giant Corporations and Insurance Defense Counsel, Visual Artists And The Law, syllabus, CLE International, August 2002.
  • Bases of Artists’ Rights, Visual Arts and the Law, syllabus, CLE International, August 2002.
  • Forbidden Faces: Celebrity Images and Rights of Publicity Legal Problems of Museum Administration, syllabus, American Law Institute/American Bar Association, March, 2002.
  • Trademarks and Free Artistic Expression, Visual Arts and the Law, syllabus, CLE
  • International, August, 2001.
  • Online Transactions Involving Visual Arts and Photography, Visual Arts and the Law, syllabus, CLE International, August, 2001.
  • Trademark and Copyright Litigation, Trademark and Copyright Practice for Paralegals,
  • Syllabus, Half Moon LLC, June 2000.
  • The NDA Dance/Works Made For Hire, From .com to Millionaire – The Silicon Valley Phenomenon, syllabus, State Bar of California, Intellectual Property Section, Spring 2000.
  • On Line Art Display and Licensing, Visual Arts & the Law, syllabus CLE International, August 1999.
  • Editor, Copyright Basics, Parker & Barrow Law Publications, 1994-present.
  • Editor, Trademark Basics, Parker & Barrow Law Publications, 1994-present.
  • Visual Art Appearing in Movies, TV, Video and Multimedia Works, Los Angeles Daily Journal, Vol. 110, No. 91, May 12, 1997.  Same article also published in Century City Lawyer, Vol. VI, No. 6, pg. 1.
  • Copyright Happens, Diem Magazine, Broadcast Designers Association International, Spring, 1997.
  • Art and the Law, Art Dealers Association of California Newsletter, Winter 1996.
  • Internet Symposium: Legal Potholes Along the Information Super Highway, Loyola
  • Entertainment Law Journal, Vol. 16, No. 3, 1996.
  • Artwork Appearing On Screen in Motion Pictures, Television and Video.  Graphic Artists Guild Handbook of Pricing and Ethical Guidelines, Graphic Artists Guild, 8th Ed. 1996.
  • The Other Curse of the Werewolf: Interpreting Copyright Transfers Under U.S. and English Law, Whittier Law Review, Vol. 17, No. 2, 1995.
  • Same article also published in Beverly Hills Bar Association Journal, Vol. 28, No. 4, 1994, and Entertainment, Publishing and the Arts Handbook 1996, Clark Boardman Callaghan.
  • Exclusive Gallery and Publishing Agreements:  U.S. Precedent and Commentary,
  • Entertainment Law Review, Vol. 6, Issue 2. 1995.
  • Editor, The Visual Artist’s Business and Legal Guide, Prentice Hall, 1995.
  • Sampling: Legal Overview and Practical Guidelines, The Musician’s Business and Legal Guide, Prentice-Hall, 1996.
  • Same chapter also published in How to Make and Sell Your Own Recording, Prentice-Hall, 1995.
  • Photography and Law; Licensing Rights to Use a Work of Visual Art; Art Fraud: Scams,
  • Counterfeits, Fakes and Forgeries, Introduction, The Visual Artists Business and Legal Guide,
  • Prentice-Hall, 1995.
  • Poetic Justice: California “Work Made For Hire” Laws Invite State Regulation of Parties to Copyright Contracts, 1990 Entertainment, Publishing and the Arts Handbook, Clark Boardman & Co., 1990 Edition. (Same article also published in COMM/ENT Hastings Communications and Entertainment Law Journal, University of California, Hastings College of the Law, Vol 12, No. 3, Spring, 1990; New Matter, Official Publication of Intellectual Property Section, State Bar of California, Fall, 1989;  Westlaw, National Computer Database, Fall, 1990.)
  • Music Unions, The Musicians’ Business and Legal Guide, Prentice Hall, Second Edition, 1996 (co-written with Jim Sedivy, Esq.).
  • Poetic Justice: Delivering Pro Bono Legal Services to Artists, American Bar Association,
  • Young Lawyers Division, Project pamphlet, October, 1989.
  • U.S. Copyright After Berne, Los Angeles Lawyer Magazine, April, 1989, (co-written with Ted Gerdes, Esq.).
  • U.S. Copyright after Berne, Artistic License, California Lawyers for the Arts, Spring, 1989.
  • Beverly Hills Bar Association, Bar Brief Newsletter, 12 monthly columns as Barrister’s
  • President, October 1988 – October 1989.
  • Editor, The Writer’s Legal and Business Guide, 1989 Supplement, Beverly Hills Bar
  • Association, April, 1989.
  • Editor, The Actor’s Manual, 1988 Supplement, Beverly Hills Bar Association, April, 1988.
  • Editor, The Visual Artist’s Manual, 1987 Supplement, Beverly Hills Bar Association, May 1987.
  • Photography and Law, The Visual Artist’s Manual, 1987 Supplement, Beverly Hills Bar
  • Association, May, 1987.
  • Nonprofit Incorporation, The Visual Artist’s Manual, 1987 Supplement, Beverly Hills Bar Association, May, 1987.
  • Artists’ Resource Directory and Bibliography, The Visual Artist’s Manual, 1987 Supplement, Beverly Hills Bar Association, May, 1987.
  • Client Newsletter, La Follette, Johnson, Schroeter and DeHaas, Insurance coverage, bad faith, medical malpractice, April, May, 1984.
  • Words and Music, Songwriters Newsletter, National Academy of Songwriters, October, 1983.
  • Suicide and Law, Chapter in The Suicidal Patient, Medical Economics Books, 1983.  Criminal and civil law and insurance aspects of suicide.
  • “…helpful suggestions on legal matters that can interfere with case  management or pose dangers of malpractice suits.” The New England Journal of Medicine, 8/25/83
  • The Visual Artist’s Manual, Doubleday, 1983. Compiled and edited appendix of artist’s resource organizations nationwide and bibliography of artist’s periodicals and references.
  • Writer’s Manual, Dutton, 1982. Compiled and edited appendix and bibliography of writer’s resource organizations nationwide and bibliography of periodicals and references.
  • Artist’s Resource Directory, University of California, Los Angeles, School of Law, 1979.  Compiled and edited state-wide directory of artist’s resource organizations and bibliography of trade periodicals.

 

 

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